A recent Maritz Poll reported that 60% of Americans are interested in their family history. And with good reason. Through genealogy, you can go back into history to meet people who have had more influence on your life than any others -- your ancestors. And the better you get to know your ancestors, the better you will get to know yourself: the who's and what's and why's of you.

Barbara Renick, a nationally-known lecturer on genealogy, tells the uninitiated researcher the steps needed to find out who their ancestors really were, and brings together for even the more experienced genealogical researchers the important principles and practices. She covers such topics as the importance of staying organized and how to go about it; where and how to look for information in libraries, historical societies, and on the internet; recognizing that just because something is in print doesn't mean it's right; and how to prepare to visit the home where your ancestors lived.

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"I have trusted to intuition," Naipaul confides in "Two Worlds," his elegant and poignant 2001 Nobel Prize lecture, one jewel among many in this engrossing collection of four decades' worth of literary and autobiographical essays, a companion volume to The Writer and the World [BKL My 1 02]. Naipaul has also obeyed his unceasing need to understand life as lived outside the confines of the immigrant Indian community in the village of Chaguanas, Trinidad, in which he grew up. His sharp reminiscences reveal the source of his unflinching, often controversial analyses of cultural assumptions, the politics of prejudice, and the unreliability of history as he considers the confounding disconnection between his early desire to be a writer and his inability to lose himself in books because what he read had so little to do with his life. In writing about his painful struggle to find his writing voice, Oxford-educated Naipaul considers the legacy of imperialism and relates the incredibly moving story of his father, a self-taught writer. Naipaul's vigorous interpretations of Conrad, Dickens, and R. K. Narayan, and candid self-disclosure cogently explicate the mysterious call to write and celebrate the radiance literature brings to lives otherwise relegated to the shadows. Donna Seaman
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